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Showing results for tags 'cinema 4d'.
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Hey guys, I created a simulation in Houdini and wanted to export it to cinema 4D with alembic. It worked completely fine but the Material (Redshift) doesn't stick with the Simulation. As you see in the pictures the half of the simulation gets white and this keeps going until its completely white. I just used the default glass Material and didn't change the geometry. Does anyone know how to fix that?
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Hello! I've been using Houdini as a TD for about 2 years now and I just recently got my hands on a C4D and X-Particles license. Playing around with X-Particles it has become apparent that Houdini can make something fairly simple (like particle simulations with constraints) very difficult. For these past 2 years I've been trying to get, specifically, thick liquid like particle constraints (not just viscous but stringy) working in Houdini and I've never been able to get results I can be completely happy with. I've been able to achieve "sticky" effects using vellum grains and vdb meshing before as seen here, however, I was always after a different effect using a particle simulation that was NOT attached to a mesh but still behaved in a similar "sticky" fashion when coming in contact with colliders. After trying this over and over again in Houdini and having unsatisfactory results, I've now experimented with X-Particles and I was a slightly frustrated by all of the time I had spent in Houdini and how simple and quick it was to achieve exactly the effect I wanted in X-Particles. In the video below you can see what effect I was after in XP. I was curious if anyone at all has re-created this stringy liquid effect in Houdini with POPs? It seems clear to me that FLIP fluids are not really the answer for small scale simulations where you want a "stringy" surface tension look. I've gotten close with FLIP and vdb meshing in Houdini, but it never looks as natural and real as X-Particles. I've heard that maybe the POP Fluid node may be the answer (here), but I'm curious if anyone has attempted these stringy constraints in a Houdini project! Any Houdini workflow tips for such an effect would be appreciated because the cost of X-Particles and C4D is not something I plan on paying for the rest of my days!
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I have been banging my head on my keyboard for a bit on this one. I have exported an alembic file consisting of an object that bounces up and down. I then export that object to Houdini where I perform a very basic fire simulation on the object. I then export the fire sequence out as a vdb where I import it into Cinema 4D and display the vdb with Octane render. Everything looks great the only problem is the fire object moves faster than the initial object. This should not be possible considering the fire's position is based on the position of the object. Does anybody have any suggestions on how I can fix this? *Both alembic, Cinema 4D, and Houdini files are all based on 24 frame rate
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Hi! I'm struggeling to create a "Cinema 4D mograph like effect." I have fractured a geo and I want them to rotate based on an effector. I have tried to pack it and or with a for each loop, bt I couldn't get it close to it. Can anyone help with it? Thanks!
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Hi guys, I've just done this tutorial [ https://www.sidefx.com/tutorials/creating-a-procedural-snowflake/ ] and I wanted to render it on cinema 4d but I couldn't T_T I made it as Houdini digital asset and threw it to c4d, but there was nothing I could see. and when even I send just cube, It worked, but file in that tutorial couldn't be read on c4d houdini engine.... What should I do !?!? Thank you for read.
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Hello! I would be grateful to be considered for any opportunity to work with some of you on a project. Please review my reel link below. I am the sole proprietor of FrameHaus LLC based in Las Vegas, NV and routinely work on remote projects of all kinds. I look forward to hearing from some of you soon! https://vimeo.com/217558652 Warmest regards, Tobias
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Hey Guys, Manuel and I have launched www.entagma.com It is a (growing) collection of things that we'd like to have known when we started diving into advanced CG. Currently we host some Cinema 4D resources as well as introductory tutorials to Houdini. If you have any suggestions or feedback about content or form - please don't hesitate to let us know. Tahnks & Cheers, Mo
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SENIOR ANIMATOR/VFX ARTIST (Atlanta studio) Second Story is a network of design studios focusing on responsive environments, story-driven experiences, and experience innovation. For more than 20 years, we have conceptualized, designed, and developed projects that educate, immerse, and activate across the cultural and brand space. Our studio is interdisciplinary and intensely collaborative, founded on the desire to make great work through collective authorship. We are seeking a multi-talented artist who bridges animation and visual effects to create breathtaking motion experiences for installations and interactive projects. You’re up on leading-edge motion-design trends, familiar with emerging and traditional pipelines, and your portfolio makes jaws drop. As a core part of a project team, you will work with the creative lead and other studio collaborators on the development and execution of motion design in all forms. CORE RESPONSIBILITIES: · Develop and deliver motion sequences that are true to the creative brief, original, nuanced, and recognizable · Produce envelope-pushing motion concepts across all project scales and a variety of media canvases · Directly contribute to the conceptual development of projects · Create motion elements for proposals and new business responses · Accurately estimate the level of effort for required results THE CANDIDATE MUST BE: · A visual artist whose command of motion design establishes the emotional tenor of a project, paints the complexion of its interfaces, and brings clarity to complexity · Skilled in generating design and motion studies that communicate spatial and time-based concepts · Experienced in creating visuals that engage individuals and groups at scale in both physical and virtual spaces · Collaborative, professional, outgoing, friendly, and fearless SKILLS & EXPERIENCE: · A masterful command of the craft of animation, both real-time and pre-rendered · A strong knowledge of visual effects techniques and tools · Expert-level skills in Houdini, After Effects, and Maya or Cinema 4D · Proven skills in: o rigid body and particle dynamics o volume modeling and rendering o procedural geometry generation o fluid dynamics · Strong understanding of physical dynamics and natural phenomena · Scripting proficiency using Python is a plus · Visual Effects/Animation (or related) professional degree · 6+ years professional experience in animation & visual effects This is an exceptional opportunity for a meaningful career in an environment where collaboration is paramount, but individual efforts shine. This position is located in Atlanta, GA, with a competitive, comprehensive salary and a benefits package that includes medical, dental, disability, employer-contributed 401(k), and professional development funds. Please send your resume and your portfolio to joinus@secondstory.com. about second story Second Story, part of SapientNitro, is a network of design studios that focuses on responsive environments, story-driven experiences, experimentation, and innovation. We conceptualize, design, and develop projects that educate, immerse, and activate across the cultural and brand space. In our studios in Atlanta, New York, and Portland, designers, producers, and technologists collaborate in a lab-based environment to create experiences that reward audience interaction with powerful, personalized pathways through content and the world of ideas. Second Story’s work has received hundreds of awards and is included in the Smithsonian’s permanent research collection on information technology. For more information, visit www.secondstory.com. about sapientnitro SapientNitro®, part of Publicis.Sapient, is a new breed of agency redefining storytelling for an always-on world. We’re changing the way our clients engage today’s connected consumers by uniquely creating integrated, immersive stories across brand communications, digital engagement, and omni-channel commerce. We call it our Storyscaping® approach, where art and imagination meet the power and scale of systems thinking. SapientNitro’s unique combination of creative, brand and technology expertise results in one global team collaborating across disciplines, perspectives and continents to create game-changing success for our Global 1000 clients, such as Chrysler, Citi, The Coca-Cola Company, Lufthansa, Target and Vodafone, in 31 cities across The Americas, Europe and Asia-Pacific. For more information, visit www.sapientnitro.com. SapientNitro and Storyscaping are registered service marks of Sapient Corporation. *Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions of this role, which include hearing, speaking, typing, and occasionally moving and/or lifting up to 15 pounds. Sapient US is an Equal Opportunity / Affirmative Action employer. All qualified applicants to Sapient US will receive consideration for employment without regard to race, color, religion, sex, national origin, disability, or protected veteran status.
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Hi! I'm using houdini engine with cinema 4D. I've got several C4D projects with a hda that read files. When I just click on render, my scene is rendered perfect, but when I added my project to render queue, C4D alerts me that it doesn't found my digital asset and I need to render several projects during the night and I cannot be all the time in front of the computer waiting until one project finished render to click and render the other project. Does anyone knows if there is a way to solve this?? Thanks!!
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Hi, I've been creating a series of videos on recreating the Mograph tool set from Cinema 4d in Houdini. Here are the first four videos. Cloner Object Falloff Step Effector Random Effector I'll keep updating this post with more videos as I make them. regards Rohan Dalvi
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